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Rosa Goddard International Film Festival: Good Morning (1959)

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu (Tokyo Story) weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
 
 
We’re thrilled to partner once again with local bookstore sQecial media to bring you The Rosa Goddard International Film Festival, an annual celebration of cinema classics from around the world. This year we are featuring films by Andrei Tarkovsky, Víctor Erice, and Yasujiro Ozu. Tarkovsky and Ozu are widely considered two of the greatest and most influential filmmakers of all time. Erice’s The Spirit of the Beehive is regarded by many as one of the greatest Spanish films ever made. 
 
Tarkovsky’s film Mirror will be followed by a Q&A led by Raymond De Luca, Assistant Professor of Russian Studies and a Tarkovsky scholar at the University of Kentucky. Masamichi Inoue, Associate Professor, Japan Studies, University of Kentucky will lead a Q&A following Yasujiro Ozu’s Good Morning. Carmen Moreno-Nuño, Professor of Hispanic Studies and a specialist in cinema and the Spanish Civil War will lead a Q&A following Víctor Erice’s The Spirit of the Beehive.
 
All films are in their original language with English-language subtitles.
 
 
 
Date:
Location:
Kentucky Theatre

Man with a Movie Camera (1929)

MAN WITH A MOVIE CAMERA

with a live score by Montopolis

Don't miss an extremely rare opportunity to see this groundbreaking silent film paired with a live score performed by the group, Montopolis. Revered as a visual masterpiece, this 1929 Ukrainian film gives historical context to the current Russian invasion and lays bare the costs of the ongoing humanitarian catastrophe. 

Man with a Movie Camera was commissioned by the Soviet regime under Joseph Stalin to showcase the might of industry in the cities of Kyiv, Kharkiv, and Odesa. Montopolis' score transforms a nationalistic propaganda film into a celebration of the human spirit.

Introduction and Q&A with Raymond De Luca, Assistant Professor of Russian Studies, University of Kentucky.

SUN, SEP 18 @ 3:30PM | $12 / $7.50 Kentucky Theatre members


Date:
Location:
Kentucky Theatre
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